|
Riccardo Salvadori (1866–1927) was an Italian painter and illustrator. ==Biography== He was born in Piacenza, resident in Naples, and later Milan where he worked most of this life. He initially trained at the Academies of Fine Arts of Lucca and Naples.〔( Istituto Matteucci ) biographical entry.〕 Among his painted works, mainly depicting genre subjects, are: ''In campo''; ''The Chestnut seller'', ''Note cupe'' (exhibited in 1898 at Turin), and ''Miseria stabile''.〔( ‘‘Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.’’ ), by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page .〕 However, it is illustrator of books, journals, and newspapers that Salvadori was best known. He contributed in Milan to the monthly and weekly segments of the Corriere della Sera. During this period, his editor for the Newspaper was Silvio Spaventa Filippi. From 1903, he contributed to the Romanzo mensile (which published serials of the adventures of Arsenio Lupin and Sherlock Holmes). He contributed also to the monthly ''La Lettura'' and starting in 1908 to the weekly ''Corriere dei piccoli''. He also contributed to the weekly ''Domenica del Corriere''. He illustrated a number of children's stories for the "Biblioteca dei ragazzi", (including Alice in Wonderland, of the Istituto Editoriale Italiano, founded and curated by Silvio Spaventa Filippi. In 1908, he illustrated "Nel regno dell'amore. Bozzetti narrativi e drammatici" by Edmondo De Amicis, work for the Treves publishing house. He illustrated the anthology "La Milano del Porta" curated by Attilio Momigliano for the editorial house Formiggini (Genoa, 1913).〔(Biography as illustrator ).〕 After the First World War, he recruited Vincenzo Morelli to Milan to collaborate with submissions for La Lettura.〔Enciclopedia Treccani, entry on Vincenzo Morelli.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Riccardo Salvadori」の詳細全文を読む スポンサード リンク
|